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19-05-2016, 12:48
<table border="0" cellpadding="2" cellspacing="7" style="vertical-align:top;"><tr><td width="80" align="center" valign="top"><font style="font-size:85%;font-family:arial,sans-serif"></font></td><td valign="top" class="j"><font style="font-size:85%;font-family:arial,sans-serif"><br><div style="padding-top:0.8em;"><img alt="" height="1" width="1"></div><div class="lh"><a href="http://news.google.com/news/url?sa=t&fd=R&ct2=en_ie&usg=AFQjCNFHL9SEAdKmC4e6F7Zfi87xNimO8A&clid=c3a7d30bb8a4878e06b80cf16b898331&ei=HLY9V9CvH4WR1AbSgZ-oBA&url=https://lareviewofbooks.org/article/digital-humanities-interview-marisa-parham/"><b>The Digital in the Humanities: An Interview with Marisa Parham</b></a><br><font size="-1"><b><font color="#6f6f6f">lareviewofbooks</font></b></font><br><font size="-1">In our conversation she touches on everything from virtual reality and the <b>Commodore 64</b> to Afrofuturism and enslavement. But this breadth isn&#39;t a surprise to anyone familiar with her work. Her first monograph, Haunting and Displacement in African <b>...</b></font><br><font size="-1" class="p"></font><br><font class="p" size="-1"><a class="p" href="http://news.google.ie/news/more?ncl=dfrZzYdlstTFhCM&authuser=0&ned=en_ie"><nobr><b></b></nobr></a></font></div></font></td></tr></table>

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