RetromanIE
20-05-2014, 20:28
<table border="0" cellpadding="2" cellspacing="7" style="vertical-align:top;"><tr><td width="80" align="center" valign="top"><font style="font-size:85%;font-family:arial,sans-serif"></font></td><td valign="top" class="j"><font style="font-size:85%;font-family:arial,sans-serif"><br /><div style="padding-top:0.8em;"><img alt="" height="1" width="1" /></div><div class="lh"><a href="http://news.google.com/news/url?sa=t&fd=R&ct2=en_ie&usg=AFQjCNH6HAJ2YeNsld9h3FaQ5VqAsMWdTQ&clid=c3a7d30bb8a4878e06b80cf16b898331&ei=Abt7U5mAJ8mLiAb9-IHQDg&url=http://www.huffingtonpost.com/g-roger-denson/seeing-through-the-cliche_b_5349581.html?utm_hp_ref%3Darts"><b>Seeing Through the Cliches and Conventions of Art History in Shirley Kaneda's <b>...</b></b></a><br /><font size="-1"><b><font color="#6f6f6f">Huffington Post</font></b></font><br /><font size="-1">The double entendre being signed, in its retro-Surrealist-Pop Art-<b>NeoGeo</b> fusion, is just one of the formal and cultural recognitions at work in, and propelling, Kaneda's humorously maze-like process of informing us that perhaps it is time that we <b>...</b></font><br /><font size="-1" class="p"></font><br /><font class="p" size="-1"><a class="p" href="http://news.google.ie/news/more?ncl=dZrBZTsDBopBdLM&authuser=0&ned=en_ie"><nobr><b></b></nobr></a></font></div></font></td></tr></table>
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